Other issues, such as drug use in films like Reefer Madness (1936), attracted audiences that major film studios would usually avoid in order to keep their respectable, mainstream reputations.
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"Exploitation" is very loosely defined, and has more to do with the viewer's perception of the film than with the film's actual content.
Titillating material and artistic content often coexist, as demonstrated by the fact that art films that failed to pass the Hays Code were often shown in the same grindhouses as exploitation films.
Buñuel's Un Chien Andalou contains elements of the modern splatter film.
It has been suggested that if Carnival of Souls had been made in Europe, it would be considered an art film, while if Eyes Without a Face had been made in the U.
From the Academy-Award nominated creators of the Broadway present STOMP and the award-winning movie Wild Ocean, The Final Reef is an uplifting, inspirational large-format and 3D cinema expertise capturing one…